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Kurs: Modernizm w latach 1900-1980 > Rozdział 9
Lekcja 1: Ekspresjonizm abstrakcyjny- Ekspresjonizm abstrakcyjny - wstęp
- de Kooning, Woman I
- How to paint like Willem de Kooning
- How to paint like Willem de Kooning - Part 2
- Willem de Kooning, Woman, I (from MoMA)
- Barnett Newman
- Newman, Onement I, 1948
- Techniki malarskie Barnetta Newmana
- Dlaczego to takie ważne? Twórczość Jacksona Pollocka
- Ekspresjonizm abstrakcyjny: Ofelia Millaisa i Vir Heroicus Sublimis Newmana — film z polskimi napisami
- The Case For Mark Rothko
- Rothko, No. 210/No. 211 (Orange)
- Mark Rothko's No. 3/No. 13
- Techniki malarskie Marka Rothko
- Techniki malarskie Jacksona Pollocka
- The Case for Jackson Pollock
- Jackson Pollock, Mural
- Jak Pollock nakładał farbę na swoim Muralu?
- Lee Krasner, Bez tytułu
- Robert Motherwell, Elegia o Republice Hiszpańskiej Nr. 57
- Franz Kline
- Techniki malarskie Franza Kline
- Abstract Expressionism
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How to paint like Willem de Kooning - Part 2
Continue to explore the multi-layered techniques of Willem de Kooning with Corey D'Augustine in the second part of How to Paint like Willem de Kooning | IN THE STUDIO.
Click here for Part 1 of How to Paint like Willem de Kooning | IN THE STUDIO: https://youtu.be/r7sJ_WNiSrs
Explore the techniques of other New York School painters like Kusama, Rothko, and Pollock in MoMA's new free, online course, "In the Studio: Postwar Abstract Painting." Sign up: http://mo.ma/inthestudio
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Over the course of a career lasting nearly seven decades, de Kooning would work through a wide array of styles, eventually cementing himself as a crucial link from New York School painting to European modernism.
Physical labor and countless revisions were constants in his work, which ranged from abstraction to figuration, often merging the two. “I never was interested in how to make a good painting…,” he once said. “I didn’t work on it with the idea of perfection, but to see how far one could go…”
The female figure was an especially fertile subject for the artist. His paintings of women were among his most controversial works during his lifetime and continue to be debated today.
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Education at MoMA is made possible by a partnership with Volkswagen of America.
Featuring Corey D'Augustine, Educator and Independent Conservator.
The comments and opinions expressed in this video are those of the speaker alone, and do not represent the views of The Museum of Modern Art, its personnel, or any artist.
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