- Dynastia Song: Wprowadzenie
- Ogród Mistrza (Rybackiej) Sieci
- Chińskie malarstwo pejzażowe
- Zwoje naścienne i ręcznie rozwijane, wachlarze i albumy
- Neokonfucjanizm, Fan Kuan, Podróż wśród gór i strumieni
- Liang Kai, Poeta spacerujący po bagnistym brzegu
- Misa w brązowe cętki
- Bodhisattwa Awalokiteśwara (po chińsku: Guanyin)
- Arahant (po chińsku: luohan)
Guanyin is the Chinese form of the bodhisattva Avalokiteshvara. Bodhisattvas are enlightened, compassionate beings who assist the spiritual goals of others. They are often distinguished from Buddhas by their princely clothing and adornments, indicating their continued presence in the human world. The figure of Avalokiteshvara can be traced back to India. His name means “the lord who looks down with compassion.” In China, Guanyin is believed to hear the sorrows of humanity. The bodhisattva is strongly associated with a chapter of the Lotus Sutra, a popular Buddhist text that lists 33 forms that the deity can take in order to help people in their time of need. The worship of Guanyin in China began around the fifth or sixth century.
Originally a foreign, male deity from India, this Buddhist deity was eventually transformed into many forms (often with feminine features) with pronounced Chinese characteristics. The image illustrated here, while perhaps appearing slightly androgynous by Western standards, are male in gender and reflect the ethereal, transcendent figure type of many early Buddhist images.