Główna zawartość
Kurs: Europa w latach 1800 - 1900 > Rozdział 4
Lekcja 2: Środkowa faza epoki wiktoriańskiej i nurt prerafaelicki- Krótki przewodnik po nurcie prerafaelickim
- The Aesthetic Movement
- Pre-Raphaelites: Curator's choice - Millais's Isabella
- Sir John Everett Millais, Christ in the House of His Parents
- Sir John Everett Millais, Christ in the House of His Parents
- Sir John Everett Millais, Ophelia
- Sir John Everett Millais, Ophelia
- Millais, Ophelia
- Millais, Mariana
- Millais, Mariana
- Millais, Portret Johna Ruskina
- Millais, The Vale of Rest
- Millais, The Vale of Rest
- Hunt, Claudio and Isabella
- Hunt, Claudio and Isabella
- Hunt, Our English Coasts ("Strayed Sheep")
- Hunt, Our English Coasts ("Strayed Sheep")
- Hunt, Our English Coasts
- Hunt, the Awakening Conscience
- Hunt, The Awakening Conscience
- Ford Madox Brown, Work
- Pre-Raphaelites: Curator's choice - Ford Madox Brown's 'Work'
- Rossetti, Ecce Ancilla Domini
- Rossetti, Beata Beatrix
- Rossetti, Proserpine
- Wallis, Chatterton
- Wallis, Chatterton
- Dyce's Pegwell Bay, Kent - a Recollection of October 5th, 1858
- Dyce, Pegwell Bay, Kent - a Recollection of October 5th, 1858
- Emily Mary Osborn, Nameless and Friendless
- John Roddam Spencer Stanhope, Thoughts of the Past
- John Roddam Spencer Stanhope, Thoughts of the Past
- Burne-Jones, The Golden Stairs
- Burne-Jones, The Golden Stairs
- Burne-Jones, King Cophetua and the Beggar Maid
- Burne-Jones, King Cophetua and the Beggar Maid
- Sleeping Beauty — but without the Kiss: Burne-Jones and the Briar Rose series
- Burne-Jones, The Depths of the Sea
- Burne-Jones, Nadzieja
- Burne-Jones, Nadzieja
- Waterhouse, The Lady of Shalott
- William Butterfield, All Saints, Margaret Street
- William Morris and Philip Webb, Red House
- Prerafaelici
© 2024 Khan AcademyWarunki użytkowaniapolitykę prywatnościInformacja o plikach cookie
Hunt, Claudio and Isabella
William Holman Hunt, Claudio and Isabella, 1850, oil on mahogany, 758 x 426 x 10 mm (Tate Britain) From William Shakespeare's Measure for Measure, Act III, scene 1 (a room in a prison): ISABELLA What says my brother? CLAUDIO Death is a fearful thing. ISABELLA And shamed life a hateful. CLAUDIO Ay, but to die, and go we know not where; To lie in cold obstruction and to rot; This sensible warm motion to become A kneaded clod; and the delighted spirit To bathe in fiery floods, or to reside In thrilling region of thick-ribbed ice; To be imprison'd in the viewless winds, And blown with restless violence round about The pendent world; or to be worse than worst Of those that lawless and incertain thought Imagine howling: 'tis too horrible! The weariest and most loathed worldly life That age, ache, penury and imprisonment Can lay on nature is a paradise To what we fear of death. ISABELLA Alas, alas! Stworzone przez: Beth Harris i Steven Zucker.
Chcesz dołączyć do dyskusji?
Na razie brak głosów w dyskusji