Główna zawartość
Kurs: Specjalne zagadnienia z historii sztuki > Rozdział 3
Lekcja 5: Konserwacja malarstwa- Konserwacja malowideł
- Ghent Altarpiece project overview
- Conserving a portrait of King Edward VI
- Conserving Velázquez's Portrait of Philip IV
- Conserving van Walscapelle's Flowers in a Glass Vase
- Conserving Everhard Jabach and His Family
- Conserving the Virgin of Guadalupe
- Conserving Vincent van Gogh's Field with Irises near Arles
- Conserving Van Gogh's "Enclosed Field with Ploughman" Under Raking Light
- The Science of Van Gogh's Bedrooms
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Conserving Velázquez's Portrait of Philip IV
The "Portrait of Philip IV" by Diego Rodríguez de Silva y Velázquez (1599-1660) returned recently from The Metropolitan Museum of Art, having been cleaned for the first time in more than sixty years. The gleaming silver brocade covering the king's crimson coat is executed in an extraordinarily free and spontaneous manner, which is almost unparalleled in the painter's production and can now be better appreciated. The treatment by Michael Gallagher, Sherman Fairchild Conservator in Charge of Paintings Conservation, revealed the dazzling original surface that had been veiled by a yellowing varnish. Additionally, the first technical studies of the painting were undertaken, involving microscopy, X-radiography, and infrared reflectography.
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