Główna zawartość
Kurs: Specjalne zagadnienia z historii sztuki > Rozdział 3
Lekcja 11: Fotografie- Seeing Through Photographs
- Before Photography - Photographic Processes Series - Chapter 1 of 12
- The Daguerreotype - Photographic Processes Series - Chapter 2 of 12
- Talbot's Processes - Photographic Processes Series - Chapter 3 of 12
- The Collodion - Photographic Processes Series - Chapter 5 of 12
- The Albumen Print - Photographic Processes Series - Chapter 6 of 12
- The Platinum Print - Photographic Processes Series - Chapter 7 of 12
- The Pigment Processes - Photographic Processes Series - Chapter 8 of 12
- The Woodburytype - Photographic Processes Series - Chapter 9 of 12
- The Gelatin Silver Process - Photographic Processes Series - Chapter 10 of 12
- Fotografia na początku XX wieku: Wstęp
- Color Photography - Photographic Processes Series - Chapter 11 of 12
- Digital Photography - Photographic Processes Series - Chapter 12 of 12
© 2024 Khan AcademyWarunki użytkowaniapolitykę prywatnościInformacja o plikach cookie
Color Photography - Photographic Processes Series - Chapter 11 of 12
Photography’s earliest practitioners dreamed of finding a method for reproducing the world around them in color. Some 19th century photographers experimented with chemical formulations aimed at producing color images by direct exposure, while others applied paints and powders to the surfaces of monochrome prints. Vigorous experimentation led to several early color processes, some of which were even patented, but the methods were often impractical, cumbersome and unreliable. This chapter explores early additive color processes as well as later subtractive processes like chromogenic color and the Kodachrome. This project is made possible by a grant from the U.S. Institute of Museum and Library Services, grant number MA-10-13-0194.
Chcesz dołączyć do dyskusji?
Na razie brak głosów w dyskusji