Główna zawartość
Kurs: Asian Art Museum > Rozdział 5
Lekcja 1: Chiny- Chiny: Wprowadzenie
- An introduction to ancient China
- Archeologia i badania starożytnych Chin
- Odkrycia w chińskiej archeologii
- Bottle with mouth in the shape of a mushroom
- Ritual implements (cong and bi)
- Praca z nefrytem
- Introduction to the Shang dynasty
- Shang dynasty ritual bronze vessels
- Horse decoration in the form of a taotie mask
- Ritual vessel in the shape of a rhinoceros
- Rytualne naczynie na wino (gong)
- Seated Buddha dated 338
- Introduction to the Han dynasty
- Vase with cover
- Cicada
- Money tree
- House model
- Storehouse
- Terracotta Warriors from the mausoleum of the first Qin emperor of China
- An Introduction to the Tang dynasty (618–906)
- Dancer
- Camel
- Central Asian wine peddler
- Stele with the Buddha Shakyamuni and Prabhutaratna
- Stele of the Buddha Maitreya
- Chinese Buddhist cave shrines
- Świątynie buddyjskie na Wutai Shan
- Dynastia Song: Wprowadzenie
- Bodhisattwa Awalokiteśwara (po chińsku: Guanyin)
- Taoism in the Tang and Song dynasties
- Arahant (po chińsku: luohan)
- Misa w brązowe cętki
- Klasyczne ogrody Suzhou
- Wprowadzenie do dynastii Ming (1368–1644)
- Technologia w okresie dynastii Ming (1368–1644)
- Słój z rybami w stawie lotosowym
- Pieśń poranka
- Podziwiając chińską kaligrafię
- Dekodując chińską kaligrafię
- Wirujący śnieg na brzegu rzeki
- Zakazane Miasto
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Słój z rybami w stawie lotosowym
As polychrome decoration gained more widespread popularity, advances in the technique were made during the Jiajing period. Potters learned to mix finely ground minerals, such as iron, copper, or cobalt, in order to obtain subdued color hues. Color themes were much more broadened and enriched than those of the fifteenth century.
This piece, from the Avery Brundage Collection of the Asian Art Museum in San Francisco, illustrates a method of polychrome decoration in which painting, as well as firing, occurred twice: preceding glaze and over previously fired glaze. The pictorial scene on the covered jar presents an exuberant theme with seven tones in overall harmony. That the potter sought out new color hues is evident in the attenuated greens and overlapping oranges and reds. The potter’s masterly use of tone, clay, and design make this jar especially precious.
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